Author: Maria D. Bolycheva
Communicology. 2018. Vol.6. No.4
Margarita Dmitrievna Bolycheva, postgraduate student of the Journalism Faculty of Lomonosov Moscow State University. E-mail: margarita.bolytcheva@gmail.com.
Abstract. The Internet space as a means of reflecting reality is the strongest factor of influence on the material and spiritual experience of humanity. It is obvious that the rapid development of the Network’s capabilities, the processes of de-legitimation and convergence, the widespread distribution of personal electronic devices as the main means of communication and other technological advances in the information and communication sphere, change the traditional media, encouraging the emergence of new formats of broadcasting, and new forms of interaction with the audience. One of these forms are streams. The paper reveals the concept and essence of stream broadcasting. Considering streams not only as a process of delivering multimedia information flows to users in real time, but as a socio-cultural phenomenon. The role of stream broadcasting for the development of online news journalism is defined. The author analyzes the prerequisites for the appearance and development of this type of broadcasting, and attempts to forecast the development of news streaming in Russia.
Keywords: stream broadcasting, streaming, streams, stream news, stream media, journalism, news journalism, media
Text: PDF
For citation: Bolycheva M.D. D Stream broadcasting as a phenomenon of modern media environment // Communicology (Russia). 2018. Vol. 6. No.4. P. 159-169.
DOI 10.21453 / 2311-3065-2018-6-4-159-169.
References
Vartanova E.L., Vyrkovsky A.V., Makeenko M.I., Smirnov S.S. (2017). The industry of Russian media: the digital future [Academic monographs]. М.: MediaMir (In Rus.).
Garmatin A. (2004). Internet broadcasting in the media system: features and principles of functioning. Sc. Herald of Voronezh State University. Series: Philology. Journalism. No. 2. P. 121-133 (In Rus.).
Block A.B. (2013). Media execs divided on Netflix’s ‘House of Cards’ model. The Hollywood Reporter [access mode]: http://www.hollywoodreporter.com/news/media-execs-dividednetflixshouse-418357.
Brinkerhof J.M. (2009). Digital Diasporas: identity and transnational engagement. Cambridge: Cambridge University Press.
Burroughs B.E. (2015). Streaming media: audience and industry shifts in a networked society. A thesis submitted in partial fulfillment of the requirements for the Doctor of Philosophy degree in Communication Studies in the Graduate College of The University of Iowa. Graduate College of University of Iowa.
Douglas S. (2004). Listening. In: Radio and the American Imagination. Minneapolis, MN: University of Minnesota Press.
Geiger R.S., Lampinen A. (2014). Old Against New, or a Coming of Age? Broadcasting in an Era of Electronic Media. Journal of Broadcasting & Electronic Media. Vol. 58, No. 3, P. 333-341.
Gitelman L. (2006). Always already new: Media, history, and the data of culture. Cambridge, MA: The MIT Press, Cambridge, Massachusetts.
Harvey E. (2014). Station to station: The past, present, and future of streaming music. Pitchfork [el. source]: http://pitchfork.com/features/cover-story/reader/streaming/?Utmcampaign =search&utm_medium=site&utm_source=searchac.
Katz E. (2003). Disintermediating the parents: What else is new? In: J. Turow (Ed.), Thewired homestead: An MIT Press sourcebook on the internet and the family. Cambridge, MA: The MIT Press. P. 45-52.
McLuhan M. (1994). Understanding Media: The Extensions of Man. Cambridge; London: MIT Press.
Peters B. (2009) A bibliographic case for new media history. New Media & Society. No. 1, P. 13-30.
Communicology. 2018. Vol.6. No.4
Margarita Dmitrievna Bolycheva, postgraduate student of the Journalism Faculty of Lomonosov Moscow State University. E-mail: margarita.bolytcheva@gmail.com.
Abstract. The Internet space as a means of reflecting reality is the strongest factor of influence on the material and spiritual experience of humanity. It is obvious that the rapid development of the Network’s capabilities, the processes of de-legitimation and convergence, the widespread distribution of personal electronic devices as the main means of communication and other technological advances in the information and communication sphere, change the traditional media, encouraging the emergence of new formats of broadcasting, and new forms of interaction with the audience. One of these forms are streams. The paper reveals the concept and essence of stream broadcasting. Considering streams not only as a process of delivering multimedia information flows to users in real time, but as a socio-cultural phenomenon. The role of stream broadcasting for the development of online news journalism is defined. The author analyzes the prerequisites for the appearance and development of this type of broadcasting, and attempts to forecast the development of news streaming in Russia.
Keywords: stream broadcasting, streaming, streams, stream news, stream media, journalism, news journalism, media
Text: PDF
For citation: Bolycheva M.D. D Stream broadcasting as a phenomenon of modern media environment // Communicology (Russia). 2018. Vol. 6. No.4. P. 159-169.
DOI 10.21453 / 2311-3065-2018-6-4-159-169.
References
Vartanova E.L., Vyrkovsky A.V., Makeenko M.I., Smirnov S.S. (2017). The industry of Russian media: the digital future [Academic monographs]. М.: MediaMir (In Rus.).
Garmatin A. (2004). Internet broadcasting in the media system: features and principles of functioning. Sc. Herald of Voronezh State University. Series: Philology. Journalism. No. 2. P. 121-133 (In Rus.).
Block A.B. (2013). Media execs divided on Netflix’s ‘House of Cards’ model. The Hollywood Reporter [access mode]: http://www.hollywoodreporter.com/news/media-execs-dividednetflixshouse-418357.
Brinkerhof J.M. (2009). Digital Diasporas: identity and transnational engagement. Cambridge: Cambridge University Press.
Burroughs B.E. (2015). Streaming media: audience and industry shifts in a networked society. A thesis submitted in partial fulfillment of the requirements for the Doctor of Philosophy degree in Communication Studies in the Graduate College of The University of Iowa. Graduate College of University of Iowa.
Douglas S. (2004). Listening. In: Radio and the American Imagination. Minneapolis, MN: University of Minnesota Press.
Geiger R.S., Lampinen A. (2014). Old Against New, or a Coming of Age? Broadcasting in an Era of Electronic Media. Journal of Broadcasting & Electronic Media. Vol. 58, No. 3, P. 333-341.
Gitelman L. (2006). Always already new: Media, history, and the data of culture. Cambridge, MA: The MIT Press, Cambridge, Massachusetts.
Harvey E. (2014). Station to station: The past, present, and future of streaming music. Pitchfork [el. source]: http://pitchfork.com/features/cover-story/reader/streaming/?Utmcampaign =search&utm_medium=site&utm_source=searchac.
Katz E. (2003). Disintermediating the parents: What else is new? In: J. Turow (Ed.), Thewired homestead: An MIT Press sourcebook on the internet and the family. Cambridge, MA: The MIT Press. P. 45-52.
McLuhan M. (1994). Understanding Media: The Extensions of Man. Cambridge; London: MIT Press.
Peters B. (2009) A bibliographic case for new media history. New Media & Society. No. 1, P. 13-30.
